{"title":"PRE-ORDERS","description":"","products":[{"product_id":"12-angry-men-1957-4k-blu-ray-dvd-334-preorder","title":"12 Angry Men (1957) (4K, Blu-ray, DVD) #591 PREORDER","description":"\u003cp\u003eStreet Date: 9\/8\/26\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e12 Angry Men,\u003c\/em\u003e\u003cspan\u003e directed by Sidney Lumet, may be the most radical courtroom drama in cinema history. A behind-closed-doors look at the American legal system that is as riveting as it is spare, this iconic adaptation of Reginald Rose’s teleplay stars Henry Fonda as the dissenting member on a jury of white men ready to pass judgment on a Puerto Rican teenager charged with murdering his father. The result is a saga of epic proportions that plays out over a tense afternoon in one sweltering room. Lumet’s electrifying snapshot of 1950s America on the verge of change is one of the great feature-film debuts.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003e4K UHD + BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration, with uncompressed monaural soundtrack\u003c\/li\u003e\n\u003cli\u003eOne 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features\u003c\/li\u003e\n\u003cli\u003eTelevision version from 1954 of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e12 Angry Men,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003edirected by Franklin J. Schaffner for the series\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStudio One,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ewith an introduction by Ron Simon, curator at the Paley Center for Media\u003c\/li\u003e\n\u003cli\u003eProduction history of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e12 Angry Men,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efrom teleplay to big-screen classic\u003c\/li\u003e\n\u003cli\u003eArchival interviews with director Sidney Lumet\u003c\/li\u003e\n\u003cli\u003eInterview with screenwriter Walter Bernstein about Lumet\u003c\/li\u003e\n\u003cli\u003eInterview with Simon about writer Reginald Rose\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eTragedy in a Temporary Town\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(1956), a teleplay directed by Lumet and written by Rose\u003c\/li\u003e\n\u003cli\u003eInterview with cinematographer John Bailey about director of photography Boris Kaufman\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by writer and law professor Thane Rosenbaum\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCover by Sean Phillips\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eBLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-definition digital restoration, with uncom­pressed monaural soundtrack\u003c\/li\u003e\n\u003cli\u003eTelevision version from 1954 of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e12 Angry Men,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003edirected by Franklin J. Schaffner for the series Studio One, with an introduction by Ron Simon, curator at the Paley Center for Media\u003c\/li\u003e\n\u003cli\u003eProduction history of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e12 Angry Men,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efrom teleplay to big-screen classic\u003c\/li\u003e\n\u003cli\u003eArchival interviews with director Sidney Lumet\u003c\/li\u003e\n\u003cli\u003eInterview with screenwriter Walter Bernstein about Lumet\u003c\/li\u003e\n\u003cli\u003eInterview with Simon about writer Reginald Rose\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eTragedy in a Temporary Town\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1956), a teleplay directed by Lumet and written by Rose\u003c\/li\u003e\n\u003cli\u003eInterview with cinematographer John Bailey about director of photography Boris Kaufman\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by writer and law professor Thane Rosenbaum\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCover by Sean Phillips\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eTWO-DVD SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-definition digital restoration\u003c\/li\u003e\n\u003cli\u003eTelevision version from 1954 of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e12 Angry Men,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edirected by Franklin J. Schaffner for the series Studio One, with an introduction by Ron Simon, curator at the Paley Center for Media\u003c\/li\u003e\n\u003cli\u003eProduction history of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e12 Angry Men,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efrom teleplay to big-screen classic\u003c\/li\u003e\n\u003cli\u003eArchival interviews with director Sidney Lumet\u003c\/li\u003e\n\u003cli\u003eInterview with screenwriter Walter Bernstein about Lumet\u003c\/li\u003e\n\u003cli\u003eNew interview with Simon about writer Reginald Rose\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eTragedy in a Temporary Town\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1956), a teleplay directed by Lumet and written by Rose\u003c\/li\u003e\n\u003cli\u003eInterview with cinematographer John Bailey about director of photography Boris Kaufman\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by writer and law professor Thane Rosenbaum\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCover by Sean Phillips\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"THE CINEVAULT","offers":[{"title":"4K","offer_id":49981123526933,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true},{"title":"Blu-ray","offer_id":49981123559701,"sku":null,"price":28.99,"currency_code":"USD","in_stock":true},{"title":"DVD","offer_id":49981123592469,"sku":null,"price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0857\/3098\/4213\/files\/dNXcCSgsZzxlAzK4pbnHCZKlijRbmv_large_9fe6b90e-24b0-4a83-96f2-94da0f8892c0.jpg?v=1781727436"},{"product_id":"two-prosecutors-2025-blu-ray-dvd-preorder","title":"Two Prosecutors (2025) (Blu-ray, DVD) PREORDER","description":"\u003cp\u003eStreet Date: 9\/15\/26\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSummoned with a blood-written note smuggled out of a prison block, an idealistic Soviet prosecutor (Aleksandr Kuznetsov) pushes past the jail’s leery authorities to interview an elderly, broken-down Bolshevik (Alexander Filippenko) condemned as a political undesirable. 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Using no archival footage, Lanzmann instead focuses on first-person testimonies (of survivors and former Nazis, as well as other witnesses), employing a circular, free-associative method in assembling them. 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With this enthralling love letter from one cinematic maverick to another, director Richard Linklater captures, with buoyant humor and effortless charm, the intoxicating joy of being young, breaking all the rules, and making art without boundaries.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eDIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital master, supervised and approved by director Richard Linklater and director of photography David Chambille, with 5.1 surround DTS-HD Master Audio soundtrack\u003c\/li\u003e\n\u003cli\u003eOne 4K UHD disc of the film and one Blu-ray with the film and special features\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring Linklater\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLe making of “Nouvelle Vague”\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2025), directed by Lucie Saada\u003c\/li\u003e\n\u003cli\u003eInterviews with Linklater and actors Zoey Deutch, Aubry Dullin, and Guillaume Marbeck\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eWithin the Wave,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ean audiovisual dossier on the real-life figures depicted in the film, by critic Farran Smith Nehme\u003c\/li\u003e\n\u003cli\u003eLinklater’s prerehearsal manifesto, read by Deutch\u003c\/li\u003e\n\u003cli\u003eSelection of trailers from French New Wave films\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing and English descriptive audio\u003c\/li\u003e\n\u003cli\u003ePLUS: Essays by critic Nick James and coscreenwriter Vince Palmo and an introduction by Linklater\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew cover by F. 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In 1977, under the alias Armando, a man (Wagner Moura) arrives in the city of Recife to try to make a fresh start with his young son. However, the threat of violence immediately encroaches, while around him swirl corrupt cops, grimy hit men, haunted exiles, and a wild urban legend that ignites a public frenzy. Continually spinning off its temporal and narrative axes, \u003c\/span\u003e\u003cem\u003eThe Secret Agent\u003c\/em\u003e\u003cspan\u003e unfurls an epic canvas teeming with life and love for those who refuse to submit to systems of oppression.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eDIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital master, approved by director Kleber Mendonça Filho, with 5.1 surround DTS-HD Master Audio soundtrack\u003c\/li\u003e\n\u003cli\u003eOne 4K UHD disc of the film presented in Dolby Vision HDR and two Blu-rays with the film and special features\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePictures of Ghosts\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2023), a companion film by Mendonça Filho\u003c\/li\u003e\n\u003cli\u003eMaking-of documentary featuring interviews with Mendonça Filho, actor Wagner Moura, and other members of the cast and crew\u003c\/li\u003e\n\u003cli\u003eNew interviews with director of photography Evgenia Alexandrova and sound mixer Cyril Holtz\u003c\/li\u003e\n\u003cli\u003eNew video essay featuring Mendonça Filho\u003c\/li\u003e\n\u003cli\u003eDeleted scenes\u003c\/li\u003e\n\u003cli\u003eArchival material that inspired the film, with commentary by Mendonça Filho\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eNew English subtitle translation\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by film programmer and curator Dennis Lim\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew cover by Drusilla Adeline\/Sister Hyde\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eDIRECTOR-APPROVED TWO-BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital master, approved by director Kleber Mendonça Filho, with 5.1 surround DTS-HD Master Audio soundtrack\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePictures of Ghosts\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2023), a companion film by Mendonça Filho\u003c\/li\u003e\n\u003cli\u003eMaking-of documentary featuring interviews with Mendonça Filho, actor Wagner Moura, and other members of the cast and crew\u003c\/li\u003e\n\u003cli\u003eNew interviews with director of photography Evgenia Alexandrova and sound mixer Cyril Holtz\u003c\/li\u003e\n\u003cli\u003eNew video essay featuring Mendonça Filho\u003c\/li\u003e\n\u003cli\u003eDeleted scenes\u003c\/li\u003e\n\u003cli\u003eArchival material that inspired the film, with commentary by Mendonça Filho\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eNew English subtitle translation\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by film programmer and curator Dennis Lim\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew cover by Drusilla Adeline\/Sister Hyde\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eDIRECTOR-APPROVED TWO-DVD SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital master, approved by director Kleber Mendonça Filho\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePictures of Ghosts\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2023), a companion film by Mendonça Filho\u003c\/li\u003e\n\u003cli\u003eMaking-of documentary featuring interviews with Mendonça Filho, actor Wagner Moura, and other members of the cast and crew\u003c\/li\u003e\n\u003cli\u003eNew interviews with director of photography Evgenia Alexandrova and sound mixer Cyril Holtz\u003c\/li\u003e\n\u003cli\u003eNew video essay featuring Mendonça Filho\u003c\/li\u003e\n\u003cli\u003eDeleted scenes\u003c\/li\u003e\n\u003cli\u003eArchival material that inspired the film, with commentary by Mendonça Filho\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eNew English subtitle translation\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by film programmer and curator Dennis Lim\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew cover by Drusilla Adeline\/Sister Hyde\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"THE CINEVAULT","offers":[{"title":"4K","offer_id":49981127590165,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true},{"title":"Blu-ray","offer_id":49981127622933,"sku":null,"price":28.99,"currency_code":"USD","in_stock":true},{"title":"DVD","offer_id":49981127655701,"sku":null,"price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0857\/3098\/4213\/files\/oVwxRgjMppVC2Tl65PeW12duwp6Vgm_large_21b557ca-f54d-43eb-a56c-665ebf4565d3.jpg?v=1781727804"},{"product_id":"three-films-by-leos-carax-4k-blu-ray-dvd-1326-preorder","title":"Three Films by Leos Carax (4K, Blu-ray, DVD) #1326 PREORDER","description":"\u003cp\u003eStreet Date: 9\/29\/26\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBurning with stylistic freedom, the first three features by Leos Carax are cinema at its most ecstatically sensorial and deliriously romantic. Built around virtuosic, intensely physical performances from Denis Lavant as three different characters named Alex, these tales of outsiders, criminals, and doomed lovers living on the edge blaze with the whirlwind abandon of youth and the thrilling highs and torturous lows of all-consuming passion. Love letters to the city of Paris, with its streets transformed by cinematographer Jean-Yves Escoffier into expressive dreamscapes, these three films erupt in moments of anarchic euphoria that fuse sound and image to heart-stopping effect.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2\"\u003eFilms In This Set\u003c\/h4\u003e\n\u003cdiv class=\"film-sets-contain\"\u003e\n\u003ca href=\"https:\/\/www.criterion.com\/films\/33262-boy-meets-girl\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/4097e4d312bed9daeb561652a261987b\/NyF7wqZky9e4QLs4KRBb1CIBi8ccg5_small.jpg\" alt=\"Boy Meets Girl\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eBoy Meets Girl\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1984\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003eMade when he was just twenty-three years old, Leos Carax’s rapturous debut feature returns French cinema to the unfettered experimentation of the New Wave while updating it for the punk 1980s. In velvety black and white,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBoy Meets Girl\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eevokes a surreal nocturnal Paris populated by lost souls and wandering misfits, including Alex (Denis Lavant), a disaffected would-be filmmaker whose girlfriend has just left him for his best friend, and Mireille (Mireille Perrier), an aspiring actress nursing her own heartbreak. Drawn together by fate, they share a moment of intense, fleeting connection as bright-burning and ephemeral as youth itself.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/30356-mauvais-sang\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/137a0b504c64ce9be5e87bbbe87e6dd6\/cqYLiHL7ve8PgimM2gOxtbgrM5ZBad_small.jpg\" alt=\"Mauvais sang\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eMauvais sang\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1986\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003eWith his exhilarating second feature, Leos Carax infuses a neonoir scenario with a delirious strain of doomed romanticism for a tour de force of avant-pop invention. Amid the spread of STBO—a sexually transmitted disease acquired by having sex without emotion—a young ex-con (Denis Lavant) is recruited by a veteran criminal (Michel Piccoli) to steal the antidote, only to find himself entangled in a dangerous affair with his new associate’s lover (Juliette Binoche). Constructed with the kinetic verve of a musical,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMauvais sang\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexplodes in moments of pure cinematic adrenaline, from a dizzying skydive to Lavant’s heart-pounding nighttime sprint set to David Bowie’s “Modern Love.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/30355-the-lovers-on-the-bridge\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/2489f81792d120ce663840c2f41bde49\/TEUWA0DAZV6xykeM68OouNuzfETw1e_small.jpg\" alt=\"The Lovers on the Bridge\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eThe Lovers on the Bridge\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1991\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003eWith this feverish saga of amour fou, Leos Carax pushed his ambitions to glorious new heights. Michèle (Juliette Binoche), an artist who is losing her sight, meets Alex (Denis Lavant), a homeless street performer, while sleeping rough on Paris’s centuries-old Pont-Neuf, beginning an obsessive affair that soon collides with crushing reality. The result of an infamously lengthy, arduous production,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Lovers on the Bridge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a bracing plunge into life on the city’s turbulent margins—a visually arresting, musically intoxicating film that is never more dazzling than when the lovers water-ski madly across the Seine amid a shower of fireworks.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eDIRECTOR-APPROVED SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restorations, with uncompressed monaural (\u003cem\u003eBoy Meets Girl\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMauvais sang\u003c\/em\u003e) and 5.1 surround DTS-HD Master Audio (\u003cem\u003eThe Lovers on the Bridge\u003c\/em\u003e) soundtracks\u003c\/li\u003e\n\u003cli\u003eIn the 4K UHD edition: Three 4K UHD discs of the films (with\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Lovers on the Bridge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epresented in Dolby Vision HDR) and three Blu-rays with the films and special features\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIt’s Not Me\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2024), a self-portrait film by director Leos Carax\u003c\/li\u003e\n\u003cli\u003eNew interviews with actor Denis Lavant and editor Nelly Quettier\u003c\/li\u003e\n\u003cli\u003eNew video essay on the cinematography of Jean-Yves Escoffier\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMeet the Filmmakers: Leos Carax,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea Criterion Channel original interview\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMr. X: A Vision of Leos Carax\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2014), a documentary on Carax’s work\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLe Pont-Neuf des amants\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(1991), a documentary on the making of the main set for\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Lovers on the Bridge\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted scene, rushes, screen tests, behind-the-scenes footage, and trailers\u003c\/li\u003e\n\u003cli\u003eNew English subtitle translation\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by author Amina Cain\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eNew cover by Cecilia Carlstedt\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eDIRECTOR-APPROVED SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restorations, with uncompressed monaural (\u003cem\u003eBoy Meets Girl\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMauvais sang\u003c\/em\u003e) and 5.1 surround DTS-HD Master Audio (\u003cem\u003eThe Lovers on the Bridge\u003c\/em\u003e) soundtracks\u003c\/li\u003e\n\u003cli\u003eIn the 4K UHD edition: Three 4K UHD discs of the films (with\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Lovers on the Bridge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epresented in Dolby Vision HDR) and three Blu-rays with the films and special features\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIt’s Not Me\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2024), a self-portrait film by director Leos Carax\u003c\/li\u003e\n\u003cli\u003eNew interviews with actor Denis Lavant and editor Nelly Quettier\u003c\/li\u003e\n\u003cli\u003eNew video essay on the cinematography of Jean-Yves Escoffier\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMeet the Filmmakers: Leos Carax,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea Criterion Channel original interview\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMr. X: A Vision of Leos Carax\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2014), a documentary on Carax’s work\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLe Pont-Neuf des amants\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(1991), a documentary on the making of the main set for\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Lovers on the Bridge\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted scene, rushes, screen tests, behind-the-scenes footage, and trailers\u003c\/li\u003e\n\u003cli\u003eNew English subtitle translation\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by author Amina Cain\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eNew cover by Cecilia Carlstedt\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"THE 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Seeking a weekend escape from the city, four friends from Kolkata embark on a driving trip to the countryside, where their urban entitlement and prejudices are gradually exposed. Among these young bachelors is the overconfident Ashim (Soumitra Chatterjee), who finds his self-assurance shaken by Aparna (the radiant Sharmila Tagore), an enigmatic young woman whose cool intellect conceals turbulent emotional depths. Filmed luminously amid the sound-dappled splendor of the woodlands of India’s Palamu region, \u003c\/span\u003e\u003cem\u003eDays and Nights in the Forest\u003c\/em\u003e\u003cspan\u003e deconstructs the masculine ego and India’s fraught class divisions with elegant complexity.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003e4K UHD + BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration—undertaken by The Film Foundation’s World Cinema Project at L’Immagine Ritrovata in collaboration with Film Heritage Foundation, Janus Films, and the Criterion Collection—with uncompressed monaural soundtrack\u003c\/li\u003e\n\u003cli\u003eOne 4K UHD disc of the film and one Blu-ray with the film and special features\u003c\/li\u003e\n\u003cli\u003eIntroduction by filmmaker Wes Anderson\u003c\/li\u003e\n\u003cli\u003eMaking-of program featuring new and archival interviews with director Satyajit Ray, actors Sharmila Tagore and Rabi Ghosh, and cinematographer Soumendu Roy\u003c\/li\u003e\n\u003cli\u003eConversation about Ray and the film’s restoration featuring Anderson, Tagore, and Film Heritage Foundation founder Shivendra Singh Dungarpur\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eNew English subtitle translation\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by film critic Devika Girish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eBLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration—undertaken by The Film Foundation’s World Cinema Project at L’Immagine Ritrovata in collaboration with Film Heritage Foundation, Janus Films, and the Criterion Collection—with uncompressed monaural soundtrack\u003c\/li\u003e\n\u003cli\u003eIntroduction by filmmaker Wes Anderson\u003c\/li\u003e\n\u003cli\u003eMaking-of program featuring new and archival interviews with director Satyajit Ray, actors Sharmila Tagore and Rabi Ghosh, and cinematographer Soumendu Roy\u003c\/li\u003e\n\u003cli\u003eConversation about Ray and the film’s restoration featuring Anderson, Tagore, and Film Heritage Foundation founder Shivendra Singh Dungarpur\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eNew English subtitle translation\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by film critic Devika Girish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eDVD SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration, undertaken by The Film Foundation’s World Cinema Project at L’Immagine Ritrovata in collaboration with Film Heritage Foundation, Janus Films, and the Criterion Collection\u003c\/li\u003e\n\u003cli\u003eIntroduction by filmmaker Wes Anderson\u003c\/li\u003e\n\u003cli\u003eMaking-of program featuring new and archival interviews with director Satyajit Ray, actors Sharmila Tagore and Rabi Ghosh, and cinematographer Soumendu Roy\u003c\/li\u003e\n\u003cli\u003eConversation about Ray and the film’s restoration featuring Anderson, Tagore, and Film Heritage Foundation founder Shivendra Singh Dungarpur\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eNew English subtitle translation\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by film critic Devika Girish\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"THE CINEVAULT","offers":[{"title":"4K","offer_id":49981128900885,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true},{"title":"Blu-ray","offer_id":49981128933653,"sku":null,"price":28.99,"currency_code":"USD","in_stock":true},{"title":"DVD","offer_id":49981128966421,"sku":null,"price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0857\/3098\/4213\/files\/gYXsEJv2f2UMuxquDXQlmJYBIBnaBA_large_734857cb-cb6c-4990-af95-082e8e133cbe.jpg?v=1781728014"},{"product_id":"frankenstein-2025-4k-blu-ray-dvd-1332-preorder","title":"Frankenstein (2025) (4K, Blu-ray, DVD) #1332 PREORDER","description":"\u003cp\u003eStreet Date: 10\/27\/26\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGuillermo del Toro’s spellbinding take on one of the most enduring of all modern myths, Mary Shelley’s \u003c\/span\u003e\u003cem\u003eFrankenstein,\u003c\/em\u003e\u003cspan\u003e imbues the classic tale with new depths of humanity while pushing it toward dazzling heights of gothic grandeur. Shifting between the perspectives of the brilliant but callous Victor Frankenstein (Oscar Isaac) and the creature (Jacob Elordi) he fashions from flesh and then cruelly mistreats, del Toro movingly reframes the legend as a story of fathers and sons struggling to break free from cycles of trauma. A decades-in-the-making triumph of darkly ravishing visual invention and operatic storytelling, \u003c\/span\u003e\u003cem\u003eFrankenstein\u003c\/em\u003e\u003cspan\u003e is a deeply personal statement from a director who has long been drawn to the realm where men and monsters merge.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eDIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003e4K digital master of the theatrical version of the film, with Dolby Atmos soundtrack\u003c\/li\u003e\n\u003cli\u003e4K digital master of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFrankenstein: The Reborn Cut,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ea new 158-minute extended director’s cut of the film, with Dolby Atmos soundtrack\u003c\/li\u003e\n\u003cli\u003eTwo 4K UHD discs of the films presented in Dolby Vision HDR and two Blu-rays with the films and special features\u003c\/li\u003e\n\u003cli\u003eNew audio commentary on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Reborn Cut,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeaturing director Guillermo del Toro\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Anatomy Lesson: Director’s Cut,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea new documentary on the making of the film\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Parlour,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea collection of conversations on craft featuring del Toro; 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As Clarice Starling, an FBI trainee who enlists the help of the infamous Hannibal “the Cannibal” Lecter to gain insight into the mind of another killer, Jodie Foster subverts classic gender dynamics and gives one of the most memorable performances of her career. As her foil, Anthony Hopkins is the archetypal antihero—cultured, quick-witted, and savagely murderous—delivering a harrowing portrait of humanity gone terribly wrong. 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two essays, one by critic Amy Taubin and one by critics Willow Catelyn Maclay and Caden Mark Gardner; pieces from 2000 and 2013 by author Thomas Harris on the origins of the character Hannibal Lecter; and a 1991 interview with Demme\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCover by Sean Freeman and Eve Steben, There Is\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eTWO-BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003e4K digital restoration, supervised by director of photography Tak Fujimoto, with 2.0 surround DTS-HD Master Audio soundtrack\u003c\/li\u003e\n\u003cli\u003eAlternate 5.1 surround DTS-HD Master Audio soundtrack\u003c\/li\u003e\n\u003cli\u003eAudio commentary from 1994 featuring director Jonathan Demme, actors Jodie Foster and Anthony Hopkins, screenwriter Ted Tally, and former FBI agent John Douglas\u003c\/li\u003e\n\u003cli\u003eInterview with critic Maitland McDonagh\u003c\/li\u003e\n\u003cli\u003eDeleted scenes\u003c\/li\u003e\n\u003cli\u003eFour documentaries featuring hours of interviews with cast and crew\u003c\/li\u003e\n\u003cli\u003eBehind-the-scenes featurette\u003c\/li\u003e\n\u003cli\u003eStoryboards\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePLUS: An introduction by Foster, an essay by critic Amy Taubin, pieces from 2000 and 2013 by author Thomas Harris on the origins of the character Hannibal Lecter, and a 1991 interview with Demme\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDesign by Sean Freeman and Eve Steben, THERE IS\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eTWO-DVD SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003e4K digital restoration, approved by director of photography Tak Fujimoto\u003c\/li\u003e\n\u003cli\u003eAlternate 5.1 surround soundtrack\u003c\/li\u003e\n\u003cli\u003eAudio commentary from 1994 featuring director Jonathan Demme, actors Jodie Foster and Anthony Hopkins, screenwriter Ted Tally, and former FBI agent John Douglas\u003c\/li\u003e\n\u003cli\u003eInterview with critic Maitland McDonagh\u003c\/li\u003e\n\u003cli\u003eDeleted scenes\u003c\/li\u003e\n\u003cli\u003eInterview from 2005 with Demme and Foster\u003c\/li\u003e\n\u003cli\u003eFour documentaries featuring hours of interviews with cast and crew\u003c\/li\u003e\n\u003cli\u003eBehind-the-scenes featurette\u003c\/li\u003e\n\u003cli\u003eStoryboards\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePLUS: An introduction by Foster and an essay by critic Amy Taubin\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDesign by Sean Freeman and Eve Steben, THERE IS\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"THE CINEVAULT","offers":[{"title":"4K","offer_id":50048091029781,"sku":null,"price":35.99,"currency_code":"USD","in_stock":true},{"title":"Blu-ray","offer_id":50048091062549,"sku":null,"price":29.99,"currency_code":"USD","in_stock":true},{"title":"DVD","offer_id":50048091095317,"sku":null,"price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0857\/3098\/4213\/files\/j1ySazBLsWXQyyZraLAsewMszyrVtw_large_f0627260-f6c4-4bca-a65a-c3a426601b5f.jpg?v=1784589916"},{"product_id":"christiane-f-1981-4k-blu-ray-1330-preorder","title":"Christiane F. (1981) (4K, Blu-ray) #1330 PREORDER","description":"\u003cp\u003eStreet Date: 10\/20\/26\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePlunging into the 1970s Berlin underground, this unforgettable portrait stands as one of the most harrowing films ever made about drug addiction. Based on the true story of Christiane Felscherinow—whose shocking memoir made her the face of a generation of troubled German youth—this bracing dramatization follows the alienated thirteen-year-old Christiane (Natja Brunckhorst) as she goes from popping pills to shooting heroin amid West Berlin’s infamous club scene, the highs of adolescent abandon giving way to an agonizing existence on the city’s desolate margins. An instant cult sensation on account of its authentically grimy location shooting and electrifying soundtrack by David Bowie, \u003c\/span\u003e\u003cem\u003eChristiane F.\u003c\/em\u003e\u003cspan\u003e remains a haunting vision of a young life in free fall.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eDIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration, approved by director Uli Edel, with 5.1 surround DTS-HD Master Audio soundtrack\u003c\/li\u003e\n\u003cli\u003eOne 4K UHD disc of the film and one Blu-ray with the film and special features\u003c\/li\u003e\n\u003cli\u003eNew interview with Edel\u003c\/li\u003e\n\u003cli\u003eNew appreciation by filmmaker Sean Baker\u003c\/li\u003e\n\u003cli\u003eInterview from 2022 with actor Natja Brunckhorst\u003c\/li\u003e\n\u003cli\u003eScreen tests\u003c\/li\u003e\n\u003cli\u003eNew English subtitle translation\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by scholar Hester Baer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eDIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration, approved by director Uli Edel, with 5.1 surround DTS-HD Master Audio soundtrack\u003c\/li\u003e\n\u003cli\u003eNew interview with Edel\u003c\/li\u003e\n\u003cli\u003eNew appreciation by filmmaker Sean Baker\u003c\/li\u003e\n\u003cli\u003eInterview from 2022 with actor Natja Brunckhorst\u003c\/li\u003e\n\u003cli\u003eScreen tests\u003c\/li\u003e\n\u003cli\u003eNew English subtitle translation\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by scholar Hester Baer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"THE CINEVAULT","offers":[{"title":"4K","offer_id":50048091521301,"sku":null,"price":35.99,"currency_code":"USD","in_stock":true},{"title":"Blu-ray","offer_id":50048091554069,"sku":null,"price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0857\/3098\/4213\/files\/Gd1BebF15zBM37IaYoZcQuuGxnYNLH_large_162d9815-c9b0-4386-b5f0-ad20d2516c00.jpg?v=1784590088"},{"product_id":"the-complete-kubrick-4k-preorder","title":"The Complete Kubrick (4K) PREORDER","description":"\u003cp\u003eStreet Date: 10\/20\/26\u003c\/p\u003e\n\u003cp\u003eA titan of cinema whose influence extends across visual art, philosophy, politics, technology, fashion, and beyond, Stanley Kubrick created an unprecedented string of masterpieces, from\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePaths of Glory\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eto\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDr. Strangelove\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eto\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e2001: A Space Odyssey, A Clockwork Orange, The Shining,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEyes Wide Shut.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eBending disparate genres to his will, he imbued his creations with a cuttingly ironic worldview and an iconographic, mesmerizingly precise visual style, probing the anxieties, enigmas, and horrors of the twentieth century with a coolly devastating eye. Tracing his evolution from independent maverick to Hollywood rebel to visionary transnational auteur whose every film from the mid-1960s on became a manifesto of a radically new sensibility,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Complete Kubrick\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebrings together the entirety of a body of work that opened popular cinema up to new realms of moral profundity and metaphysical mystery.\u003c\/p\u003e\n\u003cp\u003eCollected here for the first time are Kubrick’s thirteen features and three shorts, all restored in 4K, with their original soundtracks alongside the 5.1 mixes, restored and remastered; over twenty-five hours of interviews, documentaries, and behind-the-scenes materials; and deluxe packaging illustrated with rare photographs, artwork, and documents annotated by Kubrick himself, all housed in a singular box inspired by the director’s legendary archive.\u003c\/p\u003e\n\u003csection class=\"film-sets-list\" data-sticky-left-end=\"\" data-sticky-left-content-end=\"\"\u003e\n\u003ch4 class=\"header_lvl2\"\u003eFilms In This Set\u003c\/h4\u003e\n\u003cdiv class=\"film-sets-contain\"\u003e\n\u003ca href=\"https:\/\/www.criterion.com\/films\/28346-killer-s-kiss\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/dcc7d3288d436ed7642f47a56077b9e8\/UYPd6QLWkFTSbTOhEozWBDuN9ndss9_small.jpg\" alt=\"Killer’s Kiss\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eKiller’s Kiss\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1955\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/27751-the-killing\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/d26398a163f5e16ce32c8ba6e75f0353\/zuW5ETXJQgMVz1gbZzZhg6O3cKc0xJ_small.jpg\" alt=\"The Killing\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eThe Killing\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1956\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/27522-paths-of-glory\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/a8e49cef001036cc0cda5b3202b5fc88\/kxRNWAq1aRCTLzbsZe0z9Yz30JEwEc_small.jpg\" alt=\"Paths of Glory\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003ePaths of Glory\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1957\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/449-spartacus\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/3a6abb097f4a192d32cf112db7bf304e\/NRCTZC8EuyAcArktZELlVFZke87C1y_small.jpg\" alt=\"Spartacus\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eSpartacus\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1960\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/29573-lolita\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/1a7c95e56f6d8791452531041e500843\/oyDAhrCtQ0NCtfVzQlQVAG9S3Pdwq8_small.jpg\" alt=\"Lolita\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eLolita\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1962\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/28822-dr-strangelove-or-how-i-learned-to-stop-worrying-and-love-the-bomb\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/30514147cd6b078711d3a232cdffb941\/fgjMTYmvDkQMUEQGNPuT8UkHetcGvh_small.jpg\" alt=\"Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eDr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1964\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/35286-2001-a-space-odyssey\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/2ab88200f10426e3f34168d2c261e8c7\/ZSrZmLwlCrTutqbfBCCYUuKgCLoCc4_small.jpg\" alt=\"2001: A Space Odyssey\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003e2001: A Space Odyssey\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1968\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/30441-a-clockwork-orange\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/a3fd67fc363a7fa8fc6e627191ed00e7\/GMQ9Ti1y7uM6uqeVU7hPsAgeoMgOja_small.jpg\" alt=\"A Clockwork Orange\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eA Clockwork Orange\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1971\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/29008-barry-lyndon\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/0fbff66f37cacc439449f3bf88cd4ec7\/BRRRtyfYnkI8UPgxeWLL0QaJH3EpBQ_small.jpg\" alt=\"Barry Lyndon\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eBarry Lyndon\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1975\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/35285-the-shining\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/4d48d6fcafb000e59bf8db8f6b296cd0\/NpgXM1RVOwDVhY2fugnNmRYIZgJbjy_small.jpg\" alt=\"The Shining\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eThe Shining\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1980\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/34961-full-metal-jacket\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/cad866ae1fdb138bdb85164b07468dc5\/5YXLmLRoO3mTPQbwNGJYg7ZxEhrkGV_small.jpg\" alt=\"Full Metal Jacket\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eFull Metal Jacket\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1987\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/34534-eyes-wide-shut\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/908707a6366e13759893d1c4d060ce0f\/uRNQjVAuCdOHbvoaP0u8Dv7V0V0iQK_small.jpg\" alt=\"Eyes Wide Shut\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eEyes Wide Shut\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1999\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"product-features product-features-set collapse pk-boxset-product-features\"\u003e\n\u003cdiv class=\"collapse-contain content-container\"\u003e\n\u003cdiv class=\"max-width-container\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eTHIRTY-DISC 4K UHD + BLU-RAY SPECIAL EDITION COLLECTOR’S SET FEATURES\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e4K restorations of director Stanley Kubrick’s thirteen features and three shorts, presented in Dolby Vision HDR, with the original monaural PCM soundtracks and 5.1 surround DTS-HD Master Audio remixes, restored and remastered\u003c\/li\u003e\n\u003cli\u003eKubrick’s international version of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Shining\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew 4K restoration of Vivian Kubrick’s behind-the-scenes documentary\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMaking “The Shining”\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew audio commentaries featuring filmmaker Lee Unkrich (editor of the book\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStanley Kubrick’s “The Shining”\u003c\/em\u003e) and author Michael Benson (\u003cem\u003eSpace Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eNew conversation between novelist Jonathan Lethem and film historian Kevin Wynter on Kubrick and authorship\u003c\/li\u003e\n\u003cli\u003eUnseen\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLolita\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003escreen tests with actors James Mason and Sue Lyon and rare\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFull Metal Jacket\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ebehind-the-scenes footage\u003c\/li\u003e\n\u003cli\u003eArchival interviews with Alexander Singer, Christiane Kubrick, Kirk Douglas, Jean Simmons, Peter Ustinov, George C. Scott, Peter Sellers, Sue Lyon, Scatman Crothers, Kelvin Pike, John Alcott, Wendy Carlos, Douglas Trumbull, Steven Spielberg, and Martin Scorsese\u003c\/li\u003e\n\u003cli\u003eDocumentaries including\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStanley Kubrick: A Life in Pictures\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2001), directed by Jan Harlan and narrated by Tom Cruise;\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKubrick by Kubrick\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2020), told in Kubrick’s own words;\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStaircases to Nowhere\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2013, expanded 2026), about the making of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Shining;\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStanley Kubrick’s Boxes\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2008), about the trove of archival materials left behind by Kubrick\u003c\/li\u003e\n\u003cli\u003eDeluxe packaging illustrated with rare photographs, artwork, and documents annotated by Kubrick himself, all housed in a singular box inspired by the director’s legendary archive\u003c\/li\u003e\n\u003cli\u003eAn essay by author and critic Nathaniel Rich\u003c\/li\u003e\n\u003cli\u003eAnd much more . . .\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003ePackaging design by Drusilla Adeline\/Sister Hyde Design\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"THE CINEVAULT","offers":[{"title":"4K","offer_id":50048091947285,"sku":null,"price":450.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0857\/3098\/4213\/files\/DkEWk7DhlrVrMT5auXnYOWBdMRW13U_large_a1a1a334-ae65-4756-a9eb-243bd0f36f34.jpg?v=1784590259"},{"product_id":"eclipse-series-5-the-first-films-of-samuel-fuller-blu-ray-preorder","title":"Eclipse Series 5: The First Films of Samuel Fuller (Blu-ray) PREORDER","description":"\u003cp\u003eStreet Date: 10\/13\/26\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eI\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-summary\" itemprop=\"description\"\u003e\n\u003cp\u003eHis films have been called raw, outrageous, sensational, and daring. In four decades of directing, Samuel Fuller created a legendarily idiosyncratic oeuvre, examining U.S. history and mythmaking in westerns, film noirs, and war epics. And, characteristically, it all began with a bang: after “printing the legend” with the elegant B pictures\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eI Shot Jesse James\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Baron of Arizona,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ehe got himself into hot water with the FBI with\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Steel Helmet,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethe first American movie to portray the Korean War. These three independent films—showing off Fuller’s genre diversity, gutter wit, and subversive force—set the stage for his controversial career in moviemaking.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sharetools  sharetools-boxset\"\u003e\n\u003cp class=\"header_lvl2 quillgray\"\u003eShare\u003c\/p\u003e\n\u003cul class=\"shareList\" data-share-link=\"https:\/\/www.criterion.com\/boxsets\/499-eclipse-series-5-the-first-films-of-samuel-fuller\"\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.criterion.com\/boxsets\/499-eclipse-series-5-the-first-films-of-samuel-fuller#\" class=\"ga-share-facebook\" data-share-type=\"facebook\" title=\"Share on Facebook\"\u003e\u003csvg width=\"8\" height=\"16\" viewbox=\"0 0 8 16\" role=\"img\" aria-labelledby=\"share_fb\"\u003e\u003cpath d=\"M4.964 16V8h2.21l.292-2.758H4.964l.004-1.38c0-.72.068-1.105 1.1-1.105H7.45V0H5.24C2.59 0 1.655 1.338 1.655 3.587v1.655H0V8h1.654v8h3.31z\" fill=\"#b4841e\" fill-rule=\"evenodd\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.criterion.com\/boxsets\/499-eclipse-series-5-the-first-films-of-samuel-fuller#\" class=\"ga-share-twitter\" data-share-type=\"twitter\" title=\"Share on Twitter\"\u003e\u003csvg width=\"16\" height=\"14\" viewbox=\"0 0 16 14\" role=\"img\" aria-labelledby=\"share_tw\"\u003e\u003cpath d=\"M7.77 4.295l.034.572-.578-.07c-2.105-.27-3.943-1.18-5.503-2.708L.96 1.33l-.197.56C.347 3.14.613 4.46 1.48 5.346c.462.49.358.56-.44.27-.277-.094-.52-.164-.543-.13-.08.082.197 1.144.416 1.565.3.583.914 1.155 1.584 1.493l.567.27-.67.01c-.648 0-.67.012-.602.257.23.76 1.144 1.564 2.162 1.914l.717.246-.624.373c-.925.537-2.01.84-3.098.864-.52.01-.948.058-.948.093 0 .117 1.41.77 2.23 1.027 2.464.76 5.39.432 7.585-.863 1.56-.923 3.122-2.755 3.85-4.53.393-.944.786-2.672.786-3.5 0-.537.036-.607.683-1.25.382-.373.74-.78.81-.898.115-.222.104-.222-.486-.023-.983.35-1.122.303-.636-.222.36-.373.787-1.05.787-1.248 0-.035-.173.023-.37.128-.208.117-.67.292-1.017.397l-.624.2-.567-.386c-.313-.21-.752-.443-.984-.513-.59-.163-1.49-.14-2.023.047-1.445.525-2.358 1.88-2.254 3.36z\" fill=\"#b4841e\" fill-rule=\"evenodd\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.criterion.com\/boxsets\/499-eclipse-series-5-the-first-films-of-samuel-fuller#\" class=\"ga-share-email\" data-share-type=\"email\" title=\"Share via email\"\u003e\u003csvg width=\"18\" height=\"14\" viewbox=\"0 0 18 14\" role=\"img\" aria-labelledby=\"share_em\"\u003e\u003cpath d=\"M18 12.293c0 .66-.54 1.21-1.142 1.21H1.142c-.602 0-1.142-.55-1.142-1.21V1.557C0 .92.498.39 1.1.37l.02-.067h15.717l.02.066h.27-.27C17.482.37 18 .896 18 1.556v10.736zm-1.39-1.716V3.23L12.06 6.902l4.547 3.674zm0-8.8H1.39C3.925 3.8 6.458 5.825 8.99 7.87c2.532-2.045 5.065-4.07 7.62-6.093zm0 10.252l-5.482-4.38-1.453 1.19h-1.39L6.85 7.672 1.39 12.03h15.22zM5.916 6.902L1.39 3.23v7.347l4.527-3.674z\" fill=\"#b4841e\" fill-rule=\"evenodd\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.criterion.com\/boxsets\/499-eclipse-series-5-the-first-films-of-samuel-fuller#\" class=\"ga-share-link\" data-share-type=\"clipboard\" title=\"Copy a Link\"\u003e\u003csvg width=\"16\" height=\"17\" viewbox=\"0 0 16 17\" role=\"img\" aria-labelledby=\"share_ln\"\u003e\u003cpath d=\"M11.065 7.295c-.2-.447-.478-.868-.844-1.234s-.787-.645-1.234-.844l-.554.554-.384.384-.4.4c-.074.074-.137.154-.192.238.53.035 1.026.25 1.405.628.39.39.594.89.627 1.402.02.284-.016.568-.107.84-.1.304-.263.59-.5.833-.007.007-.012.016-.018.023l-.454.453-.63.63-.586.588-1.53 1.53c-.414.413-.963.64-1.55.64-.584 0-1.135-.227-1.548-.64-.414-.414-.642-.965-.642-1.55 0-.585.228-1.136.642-1.55l1.532-1.532c-.088-.27-.15-.55-.19-.83-.027-.21-.047-.42-.048-.63-.003-.388.045-.776.135-1.155l-2.79 2.79c-1.604 1.606-1.604 4.21 0 5.816.804.803 1.857 1.205 2.91 1.205 1.052 0 2.105-.4 2.908-1.204l2.785-2.784.415-.414c.237-.238.435-.5.602-.774.263-.43.442-.898.53-1.38.047-.247.072-.498.072-.75 0-.307-.037-.613-.105-.914-.06-.26-.144-.517-.255-.765zm3.73-5.81C13.994.683 12.94.28 11.89.28c-1.053 0-2.106.403-2.91 1.206L6.196 4.27l-.415.415c-.237.237-.435.5-.602.773-.263.43-.442.898-.532 1.38-.046.248-.07.5-.07.75 0 .307.037.613.105.914.06.26.145.517.255.765.2.447.478.868.845 1.234.367.368.787.647 1.234.846l.554-.553.385-.385.4-.4c.073-.073.136-.153.19-.238-.53-.035-1.025-.248-1.404-.628-.392-.39-.594-.893-.628-1.405-.018-.283.017-.565.108-.837.1-.304.263-.59.5-.833.007-.007.012-.016.02-.023l.452-.453.63-.63.587-.586 1.528-1.53c.414-.413.964-.64 1.55-.64.585 0 1.135.227 1.548.64.855.855.855 2.245 0 3.1l-1.532 1.532c.088.272.15.55.19.83.028.21.047.42.048.63.003.388-.045.776-.135 1.155l2.79-2.788c1.604-1.606 1.604-4.21 0-5.817z\" fill=\"#b4841e\" fill-rule=\"evenodd\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003csection class=\"film-meta\"\u003e\u003c\/section\u003e\n\u003csection class=\"film-sets-list\" data-sticky-left-end=\"\" data-sticky-left-content-end=\"\"\u003e\n\u003ch4 class=\"header_lvl2\"\u003eFilms In This Set\u003c\/h4\u003e\n\u003cdiv class=\"film-sets-contain\"\u003e\n\u003ca href=\"https:\/\/www.criterion.com\/films\/882-i-shot-jesse-james\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/301484f3bb6e6d5e796b295dc8afc2b8\/BwDLVciYzS93iqOJSPmGv3tnIs1CIl_small.jpg\" alt=\"I Shot Jesse James\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eI Shot Jesse James\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1949\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003eAfter years of crime reporting, screenwriting, and authoring pulp novels, Samuel Fuller made his directorial debut with the lonesome ballad of Robert Ford (played by\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRed River\u003c\/em\u003e’s John Ireland), who fatally betrayed his notorious friend Jesse James. At once modest and intense,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eI Shot Jesse James\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an engrossing pocket portrait of guilt and psychological torment, and an auspicious beginning for the maverick filmmaker.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/881-the-baron-of-arizona\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/a4370343b3745c53409fc1257111e2d4\/jszxd8c0hNDjtncagPUo9jwsMLAr4u_small.jpg\" alt=\"The Baron of Arizona\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eThe Baron of Arizona\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1950\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003eIn one of his own favorite roles, Vincent Price portrays legendary swindler James Addison Reavis, who in 1880 concocted an elaborate and dangerous hoax to name himself the “Baron” of Arizona, and therefore inherit all the land in the state. Samuel Fuller adapts this tall tale to film with fleet, elegant storytelling and a sly sense of humor.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\u003ca href=\"https:\/\/www.criterion.com\/films\/445-the-steel-helmet\"\u003e\u003cimg src=\"https:\/\/s3.amazonaws.com\/criterion-production\/films\/a8b4f14971765a8c9d0089162f5ff670\/YgEfLLy59a3BFNaIY3yd8s7Qjq7Hsr_small.jpg\" alt=\"The Steel Helmet\"\u003e\n\u003cdiv class=\"film-set-content\"\u003e\n\u003cspan class=\"film-set-title\"\u003eThe Steel Helmet\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"film-set-year\"\u003e1951\u003c\/span\u003e\n\u003cdiv class=\"film-set-descrip\"\u003e\n\u003cp\u003e\u003cem\u003eThe Steel Helmet\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emarked Samuel Fuller’s official arrival as a mighty cinematic force. Despite its relatively low budget, this portrait of Korean War soldiers dealing with moral and racial identity crises remains one of the director’s most gripping, realistic depictions of the blood and guts of war, as well as a reflection of Fuller’s irreducible social conscience. So controversial were the film’s comments on domestic and war crimes (American bigotry, the Japanese American World War II internment camps) that Fuller became the target of an FBI investigation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"product-features product-features-set collapse pk-boxset-product-features\"\u003e\n\u003cdiv class=\"collapse-contain content-container\"\u003e\n\u003cdiv class=\"max-width-container\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eSpecial Features\u003c\/h4\u003e\n\u003cp\u003eAn essay by film critic Nick Pinkerton\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"THE CINEVAULT","offers":[{"title":"Blu-ray","offer_id":50048092307733,"sku":null,"price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0857\/3098\/4213\/files\/DMLhPASyN4mebGwEdTLe55OU3LqnXn_large_3caf439a-eed5-46da-bd26-34b2b9cfafcb.jpg?v=1784590373"},{"product_id":"the-shout-1978-blu-ray-1331-preorder","title":"The Shout (1978) (Blu-ray) #1331 PREORDER","description":"\u003cp\u003eStreet Date: 10\/13\/26\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA tour de force of psychic dread that begins as an ambient murmur and builds to an existential shriek, legendary Polish director Jerzy Skolimowski’s provocative adaptation of a short story by Robert Graves is a hallucinatory confrontation with the unknown. In a small English village, an experimental composer (John Hurt) and his wife (Susannah York) see their routine existence upended by the arrival of an enigmatic stranger (a seductively sinister Alan Bates), who claims to possess knowledge of Aboriginal magic and the ability to kill using a deadly scream—a power that makes him an object of both terror and desire. With its puzzle-box structure, unnerving ambiguity, and otherworldly electronic sound design, this Cannes Film Festival award winner quivers with the primal fear of mysterious and uncontrollable forces.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eDIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003e2K digital restoration, approved by director Jerzy Skolimowski and director of photography Mike Molloy, with 2.0 surround DTS-HD Master Audio soundtrack\u003c\/li\u003e\n\u003cli\u003eNew interviews with Skolimowski and producer Jeremy Thomas\u003c\/li\u003e\n\u003cli\u003eExcerpts from Skolimowski’s appearance at the 1997 Midnight Sun Festival\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOn the Set of “The Shout,”\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ea short UK television program from 1977\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by scholar Leo Goldsmith\u003cbr\u003e\u003cem\u003e\u003cbr\u003eNew cover by Rafa Orrico Díez\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"THE CINEVAULT","offers":[{"title":"Blu-ray","offer_id":50048092537109,"sku":null,"price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0857\/3098\/4213\/files\/8tUNhpFhPLnKgS9FUKa4HvOEmzDMPf_large_529df605-18aa-452b-8815-2b3f3b12c683.jpg?v=1784590482"},{"product_id":"welcome-ii-the-terrordome-1995-blu-ray-1329-preorder","title":"Welcome II the Terrordome (1995) (Blu-ray) #1329 PREORDER","description":"\u003cp\u003eStreet Date: 10\/6\/26\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNgozi Onwurah’s radically ahead-of-its-time dystopian sci-fi film \u003c\/span\u003e\u003cem\u003eWelcome II the Terrordome\u003c\/em\u003e\u003cspan\u003e—the first theatrically distributed British feature by a Black woman—furiously evokes a near future in which Black people are segregated within a slum called the Terrordome, where simmering violence and anger threaten to boil over in the wake of a young boy’s murder. Named after an incendiary single by Public Enemy, the film uses its rap soundtrack to both comment on and drive its narrative, part of a sensibility in which American, British, and African cultures collide and the past, present, and future collapse. In this prescient work, Onwurah builds a visionary, Afrofuturist cosmology that connects the history of slavery to modern-day systemic racial brutality.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eDIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 2K digital restoration, supervised and approved by cinematographer Alwin H. 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Fusing astonishing practical effects with NASA archival footage to yield images of cosmic majesty, director Philip Kaufman reveals the combination of courage, competition, and fallibility behind America’s launch into orbit.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eDIRECTOR-APPROVED 4K UHD SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration, supervised and approved by director of photography Caleb Deschanel, with 70 mm 5.1 surround DTS-HD Master Audio soundtrack\u003c\/li\u003e\n\u003cli\u003eAlternate 2.0 surround and 5.1 surround DTS-HD Master Audio soundtracks\u003c\/li\u003e\n\u003cli\u003eOne 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the special features\u003c\/li\u003e\n\u003cli\u003eArchival interview excerpts with director Philip Kaufman from the Academy Film Archive’s Visual History program\u003c\/li\u003e\n\u003cli\u003eNew programs on the film’s visual effects, sound design, and editing\u003c\/li\u003e\n\u003cli\u003eArchival programs\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRealizing “The Right Stuff,” T-20 Years and Counting,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Real Men with “The Right Stuff”\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eSelected-scene commentaries featuring Kaufman and members of the cast and crew\u003c\/li\u003e\n\u003cli\u003eDeleted scenes\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by critic Michael Sragow\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew cover by Gregory Manchess\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eDIRECTOR-APPROVED TWO-BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration, supervised and approved by director of photography Caleb Deschanel, with 70 mm 5.1 surround DTS-HD Master Audio soundtrack\u003c\/li\u003e\n\u003cli\u003eAlternate 2.0 surround and 5.1 surround DTS-HD Master Audio soundtracks\u003c\/li\u003e\n\u003cli\u003eArchival interview excerpts with director Philip Kaufman from the Academy Film Archive’s Visual History program\u003c\/li\u003e\n\u003cli\u003eNew programs on the film’s visual effects, sound design, and editing\u003c\/li\u003e\n\u003cli\u003eArchival programs\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRealizing “The Right Stuff,” T-20 Years and Counting,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Real Men with “The Right Stuff”\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eSelected-scene commentaries featuring Kaufman and members of the cast and crew\u003c\/li\u003e\n\u003cli\u003eDeleted scenes\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by critic Michael Sragow\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew cover by Gregory Manchess\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"THE CINEVAULT","offers":[{"title":"4K","offer_id":50119306445077,"sku":null,"price":35.99,"currency_code":"USD","in_stock":true},{"title":"Blu-ray","offer_id":50119306477845,"sku":null,"price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0857\/3098\/4213\/files\/eHpp8ZGmBGJgYzX7kExRr0qKsA9aIS_large_3e1a7bee-c2ab-4ebd-bca2-0e25490c7758.jpg?v=1787609588"}],"url":"https:\/\/cinefilevideo.com\/collections\/pre-orders-1.oembed","provider":"CineFile Video","version":"1.0","type":"link"}